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I have
been adding a great collection of reprinted articles and ads on men's
fashion from my collection of vintage magazines. Hope these will help
you better acquaint yourself with the styles of the past.
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Here is a great article from the 1952 Summer issue of
American Fabrics. Tags are not the only good way of dating
an article of clothing. The fabric it is made of is also
a good indication. I have owned in my past shirts with some
of these prints. Through out history, fashion has been influenced
by many things including art. Many artists including Salvador
Dali painted ties for men in the 40's. During the 60's many
of the pop artists added their flavor to the mod fashions
of the time. I hope you enjoy this addition to the collection
of articles.
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Ilonka Karasz received her early art education at the Budapest
School of Fine Art and Crafts in Hungry. Since then she has earned
wide recognition in all fields of the graphic arts and for her
easel painting. A New Yorker Magazine cover artist since its
founding, one of her covers is owned by the Metropolitan Museum
of Art. She has also designed for numerous other magazines, including
the old Vanity Fair. And a portfolio of her wall paper designs
was recently published in American Fabrics.
Miss Karasz believes that design for decoration should always
be two-dimensional as opposed to the third dimensional quality
she adds to her easel painting. She finds her structure in
nature and considers the knowledge of nature a prime requisite
to the creation of fine art.
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" It is the duty of the textile industry to provide the apparel
manufacturing industry with enough new ideas to balance the
standardization of the line production system.."
American Fabrics Issue No. 1 1946 |
M. LOWENSTEIN & SONS' APPLICATION OF THE FINE ARTS IN APPAREL
TEXTILES
Since the war era, textile designing by outstanding artists has
constituted an important phase in the continuing vitality of the
American textile scene.
At the Fifth Avenue galleries of Associated American Artists,
one of the new creative projects of the textile industry was recently
shown... a notable collection of fabric designs assembled by a
group of fine arts painters allied with Reeves Lewenthal, who is
responsible for the project.
Associated American Artists, a cooperative organization which
includes many of America's best-know painters, has thus taken a
fresh step forward in bringing fine arts into the lives and homes
of millions of Americans. The course this group pioneered evolved
naturally through a series of stages, the most recent of which
was fine drapery fabric designs and coordinated ceramics executed
by its member artists and successfully promoted early this year.
A Fresh Approach
It is a significant collaboration in which Associated American
Artists has now joined with M. Lowenstein and Sons. A group from
among the distinguished members are designing, and Lowenstein is
marketing, a group of cotton fabrics. The participating artists
are all painters of wide repute whose works hang in public and
private collections throughout the States. To textile design these
artists bring a completely new and fresh approach, a fine arts
feeling and the inherent qualities of the easel painter's genius.
The beauty of their designs is diverse and their use of color rich
and varied. The style of each artist has been indelibly transferred
to fabric. The artists whose designs are included in the initial
presentation are Arnold Blanch, Doris Lee, Anton Refregier, Laura
Jean Allen, John Hull, Richard Munsell, Thomas Vroman, William
Ward Beecher, Ilonka Karasz, Louise Phillips, Mable Pickett, Brian
Connelly, William Kasso. Exclusivity of the designs of these artists
will be protected under the scheme by copyright.
Each Signed by Artist
Since each design carries the signature of the artist who created
it, these vibrant new fabrics will be marketed under the name Signature
Fabrics. They are for ready-to-wear in the better priced and quality
lines ... for women's and children's wear trades. Simultaneously
with fashion promotion, Lowenstein's plans to broaden the base
of its original promotional activities into other segments of the
ready-to-wear markets and the home furnishings field are now in
various stages of progression.
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MABLE PICKETT made her reputation on the West Coast
in the San Francisco Museum of Art and the Rotunda Gallery
where
she had her first one man show. Her art education includes
study at the Academy of Arts in San Francisco and work in
mural painting under Anton Refregier. She believes that an
artist must always remain close to nature and represent nature
in terms the on-looker can understand and share with the
artist. |
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| JOHN HULL is the only Montana artist of wide recognition
who is not a cowboy artist. He has painted realistic still
lifes and abstract moderns, and his mature style represents
a pleasing melding of the two early approaches. Street vendors,
subways, scenes of the night interest him most. His backgrounds
are usually subtly variegated shadows with interesting highlights
in orange tones. |
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RICHARD MUNSELL was born in New York and studied at
the Art Students League and the Phoenix Art Institute in
Arizona.
The purchase by the Museum of Modern Art of his "Posing
for the First Time" is the most recent of many honors
he has been receiving since 1935. These included three first
prizes in one year, among them that of the Academy of Western
Painters. |
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| ANTON REFEGIER is best known for his mural paintings, perhaps
the most notable of these being the series of twenty-seven
for the new Post Office in San Francisco, recently finished.
In addition, his murals can be found in many buildings. He
is represented by paintings in the permanent collections
of the Museum of Modern Art, Metropolitan Museum, Walker
Art Center. |
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ARNOLD BLANCH, whose paintings hang in the leading museums
and whose murals decorate several post offices, has become
one of America's best known painter-teachers. He has taught
at the California School of Fine Arts, the Art Students League,
the Colorado Springs Fine Arts Center, Michigan State Collage,
and is now teaching at the Art Students League Summer School,
Woodstock. |
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| LOUISE PHILLIPS has a truly cosmopolitan art background.
She left New York's School of Applied Design at the age of
eighteen to study in Paris and London. She worked abroad
until the war interrupted her paintings for a short time.
During the war she helped Englishmen evacuated by bombing
find homes for their families and then went to the American
Embassy with the Military Intelligence Corps. |
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